Thursday, 2 April 2009

Life A Journey On Train

research

I googled 'life is like a train journey'. I found lots of poems and this slide show. I'm going to read the pages and see if any ideas crop up.

One idea to to show the old man at the station at the beginning in darkness/evening time. Signifying coming to the end of his 'life' in this place. I'd love to show old versions of the stations.
An idea is to have a flickering light in the station at the beginning ( or when the transformations occur at the end of the short) as a device to show the old station.
Maybe i could use the light going form dark to bright streaks (streaks through trees image i have in my head from a few posts earlier!) , transformation occurs , and then fade back down to night time.

I like the idea of steam showing time passing but unsure how i want it to work. Show calender pages blowing away in the steam? just thinking aloud....

Wednesday, 1 April 2009

Story Development feedback from Ed Hooks

Recently I attended Animex 09 and took the 'Acting for animators' workshop with Ed Hooks.
It was a briliant day and Ed is very cool and intelligent guy.
I left the workshop with loads of new ideas about how story in film and animation really works. I love the idea of Shamans and 'what does the tribe need to know'. The day was filled with an amazing amount of stuff to take in. Ive since read one of his books and the stuff in it is genius. I would recommend his work to anyone in film/animation.
Hopefully i can use some of this in my work going forward.
For further information see here:
http://www.actingforanimators.com/
http://www.amazon.com/Acting-Animators-Ed-Hooks/dp/0325002290

Ed was also gracious enough to look over my story and provided alot of feedback regarding further development.(he replied to my email pretty much immediately).
One of his suggestions was to look into the subjects of transluscence and how Miyazaki plays around with being able to see through spirits. An excellent excuse to watch 'spirited away' again but this time pay particular attention to the spirits/train journey. (I've also come accross a film called ' The ghost and mrs muir'. I'm not sure how relevant that will be.)
Ed also suggested using the steam from the locomotive (showing passage of time) vs modern day trains.
I'm really grateful for the excellent insights.
(sorry if this post is a bit gushy but thats how i feel!)

Thursday, 5 March 2009

Update (finally!)

Its been a while!

I had to put short on hold due to external circumstances but hopefully i can begin to make progress again.

The concept art stage was surprisingly difficult for me and made me re-evaluate my skills.
Not just in concept art but all aspects of an animated short.

I will probably have another blog to document my studies rather so as to keep this one exclusively for my short.

Random idea.
I was walking to work this morning , the sun was still rising so low in the sky. The light was streaking through the trees towards me and so it made everything that wasn't immediately if front of me very hard to see. I wondered if that was something i could use.
I was also looking at some photographs of animals at an exhibition in leeds. The animals were in focus but the backgrounds were not. The animals jumped out from the photo (as intended).
Both these things would put focus on a character/item within a scene.

I'm going to do some rough sketches of a few picture i have.
I view the short in my head as a live action movie (i have still images in mind) , i think mainly because i'm not sure of the style i would like to use.
My recent studies/podcast lectures have plant the idea of experimental animation rather than 'straight forward' cartoon style.
At the moment i'm not sure what that means exactly or even if i want to do it in 3D at all.
I wonder what it would take to do a short in true 3D?

Thursday, 3 January 2008

Concept Art Update

The deadline for submission was yesterday. I had resigned myself to auditing due to the illness i suffered over the last few weeks. I basically lost 3 weeks worth of time including the compilcation of christmas.

Theres talk of an extension to the deadline so maybe i can catch up but i'm really far behind. I really need about 3 weeks but i think the extension could be only 2.

I've done some work this morning which i'm happy with so hpefully i can get going now.


EDIT.... Deadline 14th January......11days!...probably gonna have to PM ZAk

Tuesday, 20 November 2007

Pre-Production - Concept Art

I'm slowly learning the tracing method as a way to develop the concept art for my short. I am aware that i need to get some reference material especially for the clothing, styles etc for the flashback scenes and also the trains. I have some good ideas about where to get this information. I am experimenting with online photo galleries as a means to store/present this reference material.

At the moment i'm still unsure about which 3D modelling software i will be using. I've completed Max fundamentals and so i'm comfortable with Max bit i still would love to use Maya.
I have the Maya fundamentals series already (as well as tons of other maya material) but i'm not sure i can get up to speed in time for the modelling phase of the short. Also the ADP videos are in Maya so thats another reason to go with it.

Sunday, 11 November 2007

Final story submitted.

Working title: A Promise to return.

Present day 11th November
Scene 1
Open with old man on a railway platform. He looks small and frail but wise, against the big train and dark station.
He places his suitcase and sits. The tag on the suitcase shows the name R.Newman
He sits and smiles as he remembers a happy time in his life, a similar journey he took many years ago when he was a much younger man.

Scene 2
The old man smiles, the camera moves towards his eyes, really close.
As he blinks - we transition back into the past, the year is 1939

(shot in black and white, older style train).
The man is in his early 20’s. He is talking with a beautiful young woman, Marie, who is the love of his life. They are on the train and he is leaving for the war. The conversation is about love and their future. She makes him promise that he will return, and explains that she is pregnant.

Scene 3
We now cut back to now. (Overlap sound of present day with the old conversation)
A man is now seated, engrossed a book and a woman enters the carriage. She is sad and upset. There has been a death in the family. She arranges her belongings on the table and sits quietly. Amongst her possessions are an invitation and some old letters.
The old man watches her, she looks like/reminds him of his Marie, and he can see she is upset. As the old man gets up to leave, he pauses, smiles and then kisses her hand. As he leaves the carriage he gently knocks the woman’s book on the floor.

The man seated opposite hears the book fall on the floor. They both bend to pick up the book and that’s the first time he sees her. The woman says thanks, asks if he saw that and the man says he was too involved with his book to notice. The couple have books with the same author. This is enough to get them talking, it’s a start of a new relationship.

Scene 4

The train pulls in for the station. We see the old man with suitcase in hand, exit the train, into the arms of his Marie. As they embrace we see the old couple fade back to their younger selves and slowly fade away.

As the camera turns we see the young couple from the train, walking towards the newly built war memorial for Remembrance Day, near the bottom of the list is the woman’s grandfather’s name R.Newman who died in war 1944

Dedication:

Dedicated to the ones we love.



Soundtrack
Marie by Randy Newman

Visual clues

Old man and young man & woman are wearing poppies. He’s also has an invitation.

In woman’s possessions visible on the table is invitation to unveiling of the new memorial, she misses the ceremony due to attending her grandmothers funeral.

She also has the letters her grandfather sent whilst away in the war. The reference to rivers, rainbow and flowers is from the ‘Marie’ song

Have a purse/ID just visible with surname Newman visible if you look closely.

Modeling notes

The war memorial will be modeled from one that is in my village.

Use same base model of girl for the females in the story, modified but close enough to see resemblance (as actors in film, Bicentennial man)

Premise: Love is a force that lingers, can be transferred. The old man passes on the love for his grandaughter

The old man died in the war and is making the journey he promised to be with his wife.


Influences:
Titanic, Amelie , before sunset/sunrise, sixth sense, Bicentennial man.

The Website could be redesigned old fashioned world war 2 poster styled . New logo mixture of 1940’s/1990’s train tickets.

Thursday, 8 November 2007

Revised story.

Premise:
Love comes when you least expect it

Scene 1
Open with old man on a railway platform. He looks small and frail but wise, against the big train and dark station.
He places his suitcase and sits. The tag on the suitcase shows the name R Newman
He sits and smiles as he remembers a happy time in his life, a similar journey he took many years ago when he was a much younger man.

Scene 2
(as the old man smiles , the camera moves towards his eyes, really close.
As he blinks - we transition to the past, maybe in B&W)
The man is now talking with a beautiful girl, Marie, the girl who will turn out to be the love of his life. The conversation is about love, the future and how love can happen when you least expect it.

Scene 3
We now cut back to now. (overlap sound of now with the old conversation)
A young man is now seated reading a book and a woman enters the carriage. She is sad (maybe upset). She arranges her belongings and sits quietly. (She might have a book by the same author within her possessions)

The old man watches her, he senses she is upset. As the old man gets up to leave, he pauses, smiles and then kisses her hand. She obviously stunned.
He then makes his way to the doors of the train; meanwhile the two passengers then begin to talk about what just happened. This is the start of their relationship.

We then see a close up of the doors opening, to see an old woman, Marie, waiting for him on the platform.


Influences:
Titanic, Amelie, before sunset/sunrise.

Soundtrack
Marie by Randy Newman